Metal extremo e improvisación con miembros de ORTHODOX, PYLAR y DOCE FUEGOS.
El sonido de Dronespell & The Omega Chord fluye sin pausa, buscando grietas donde adentrarse, pero sin llegar a solidificarse. Construída pacientemente, cambiante, “Sorcery Anomalies” (SR-20, cassette) materializa la pulsión conjunta de los tres músicos llevada hasta agotar las posibilidades de la instrumentación. Inspirados por los King Crimson del 73-75, el metal extremo disonante en boga actualmente y la improvisación libre, el trío construye formas abiertas que mutan espontáneamente, de manera dinámica, pero siempre oscura y pesada. Los momentos de apertura y búsqueda ("The Howling In Seconds", "Defiled Are The Heliocentric Children...") contrastan con torrentes rítmicos y abiertos a la vez ("PainHead Is Torchlit", "A Wellspring In Seven Steps"), explorando una cartografía de lo absoluto, regiones sin límites que flotan antes de desaparecer.
Extreme Metal and Improvisation with members from ORTHODOX, PYLAR and DOCE FUEGOS.
The sound of Dronespell & The Omega Chord flows without pause, looking for cracks to enter, but without solidifying. Patiently built, always changing, “Sorcery Anomalies” (SR-20, cassette) materializes the joint drive of the three musicians carried to the point of exhausting the instrumentation’s possibilities. Inspired by ’73-75 King Crimson, the dissonant extreme metal currently in vogue, and free improvisation, the trio builds open forms that mutate spontaneously, dynamically, but always dark and heavy. The opening and searching moments ("The Howling In Seconds", "Defiled Are The Heliocentric Children...") contrast with rhythmic and open torrents at the same time ("PainHead Is Torchlit", "A Wellspring In Seven Steps"), exploring a cartography of the absolute, limitless regions that float before disappearing.
Entities summoned up by Jiménez/Palou/Díaz on 19th November 2021, Der Fliegende Holländer.
Recording and cover design: Miguel Palou
Cover photography: “Man en hond bij het hunebed van Rolde, bij Assen”, detail. Anonymous, 1900. Rijksmuseum, public domain image.
Mix and master: Borja Díaz.
Layout: Gonzalo Santana
supported by 6 fans who also own “Sorcery Anomalies”
The album description mentions an “emotional apex.” That’s really the difference between Stare and the band’s previous albums. Ulcerate was always supremely technically proficient. I just didn’t care all that much. Their growth has come from making music you will feel. Metallurgical Fire
supported by 6 fans who also own “Sorcery Anomalies”
Comme Satan Worshipping Doom et Miserable, Terminal est un album qui vraiment toute son ampleur quand il est écouté d'une traite car il s'agit d'une lente agonie qui s'étend sur presque trois-quarts d'heure. Les sonorités psychédéliques propres à Bongripper sont absentes et le stoner/doom metal du quartette tend plutôt vers une sphère atmosphérique (certains arpèges de "Slow" ne sont pas éloignés de celles de Earth) voire funéraire et la mort finit par s'imposer comme la seule évidence possible. Jordan Vauvert
As Deuce Avenue, Noah Anthony explores an unhurried, warm style of drone music that is less abrasive and more subliminally soothing. Bandcamp New & Notable Dec 10, 2020
supported by 6 fans who also own “Sorcery Anomalies”
There's something charming about bands that don't give a shit what you like and just do their own thing. Is it death metal? Grind? Tech hardcore? Who the fuck knows? It's fun though. Ghuughra